![]() This collection is based on some of the best films in production today - try them if you’re looking for a more clean and simple look, especially for portrait and nature photography. Many modern analog films are well regarded for highlighting skin tones, creating pleasing outdoor shots, or having unique grain detail. This collection is great for portrait and lifestyle photography, adding a subtle and tasteful vintage look and feel. And many analog films have become legendary for their visual qualities - these presets are based on some of the most well-known and popular analog films. Subtle changes to the colors of the shadows and highlights of an image are key to achieving this look.īefore digital, there was analog. Many of them are based on the ‘teal and orange’ look, which is a pretty simple but very effective way to get a photo’s colors to pop, emphasizing skin tones and color contrasts. Inspired by the contemporary color grading process used in the movie and video industry, these presets emulate the cinematic look and feel. Some presets apply film-style grain to create an old-school film feel, others increase contrast for a more striking look. Especially when you want to add a little drama. The black and white look is very versatile and is great for artistic photography, landscapes, portraits, street photography, and many other styles. These black and white presets are based on classic black and white films.
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![]() In the space adventure, ideas of people traveling to space were first seen in stories and films, like Jules Verne’s 1865 From the Earth to the Moon. In this story, the projectile was shaped like a bullet because it was gun-launched from the ground, a method infeasible for transporting the man to space due to the high acceleration forces produced. ![]() For this, architectural information came across to us to develop on this mission. We have to build up the existence of us with the futuristic concept that how the human race will survive if there SOM-ESA / Moon Village, Earth Rise A BRIEF HISTORY OF SPACE AND HOW ARCHITECTURE HAD BEEN COMBINED WITH SPACE: Is it possible to use one of the last methods the RemoveDEBRIS (RemDeb) or a new method to collect and re-use for the space architecture those components? What will be the methods for this concept?
This can be done using a try-catch block within the query batch that you are executing. SQL Server deadlock is a problem in which two sessions lock on a resource that the other session wants to access and vice versa. ![]() Lock: Deadlock Chain - Is produced for each of the events leading up to the deadlock. Lock: Deadlock - Indicates that two concurrent transactions have deadlocked each other by trying to obtain incompatible locks on resources that the other transaction owns. By default, this settings is configured as part of the BizTalk Server configuration. Set the Max Degree of Parallelism property. In picking the deadlock victim, Microsoft SQL Server 2000 looks at all. The Deadlock Graph event class provides an XML description of the deadlock. For more information about these settings, go to You experience blocking, deadlock conditions, or other SQL Server issues when you try to connect to the BizTalkMsgBoxDb database in BizTalk Server. SQL 2000 Blocker Script output/SQL 2005 PerfStatsĪdditionally, if as a developer if you are concerned about your statements being terminated due to deadlocks, then you must build a retry logic into your code for handling the deadlock and resubmitting the query. To resolve the deadlock, one of the participants in the cycle must be terminated. Lock: Deadlock and if you are using SQL Server 2005, then capture Deadlock Graphs as wellģ.Showplan All events because the statement that is chosen as the deadlock victim will not have a Statistics Profile Event as it would have been terminated.SQL Server Profiler traces (Refer my server side profiler traces post for setting up profiler traces) with the following events: If you find that your SQL Server is encountering deadlocks, then what data do you need to collect:ġ. The SPID is running a background task, such as deadlock detection, log writer, or checkpoint. You use the SQL Server Profiler Locks event category to create a trace of events related to locks and deadlocks. In contrast, the second situation results in a consistent state that can be easier to diagnose. The -T1204 output can be interpreted using the following file: These situations are difficult to troubleshoot using SQL Server Management Studio to narrow down the issue to individual queries. Bart was an Escalation Engineer for SQL Server and his blog article spanning three parts for deadlock troubleshooting is probably the most definitive guide for this topic. Refer Bart Duncan’s Weblog for deadlock troubleshooting. When many threads are involved in a deadlock, SQL Server will choose one of the. ![]() The trace flags can be enabled using DBCC TRACEON(,-1) Deadlocks can involve more than two threads, often quite a number of threads. To capture a deadlock graph in the SQL Server ERRORLOG, use the following trace flags: The most typical deadlock solution is either a stored proc/app code optimization, or a change in the database schema or indexing strategy. Deadlocks are a natural side effect of blocking. A deadlock is a special type of blocking scenario, but blocking and deadlocking are not the same thing. Deadlock troubleshooting has always been a bit tricky. It is designed for painting and organic vapor protective (95% effectiveness). The Sunstrom H01-2021 uses a filter cartridge that provides excellent protection for up to 40 hours. For example, half-mask respirators with cartridges and filters have an APF of 10. LJSXFI Full Face Respirator Mask with 60926 Cartridge, 6800 Gas Mask Paint Spray Mask, Ideal for Painting Spray, Epoxy Resin, Car Spraying, Dust, Polishing, Welding, Sanding. paint fumes can lead to serious injury or death. AS/NZS 1715 lists APFs for different types of respirators. Find many great new & used options and get the best deals for 3m 6200 Premium Half Face Spray Paint Dust Mask Respirator Filter 7 in 1 at the best online. Substrate does not cause allergies, soft and tight to the face of the strip obturation.Ĭonvenient design provides a good overview, and compatibility with eye protection and head - goggles, helmets. Once you know your required APF, you can narrow down your choices to those respirators that can reduce exposure to below the WES. Reusable Respirator Mask with 60923 Filters - 6200 Half Face Cover Dustproof Respirator Anti-Gas, Anti-Dust for Organic Vapor, Painting, Woodworking, Staining, Polishing, Chemicals, Welding etc 4. The fastening system of two elastic rubber straps on the cotton and the headband is regulated at four points. 3M Spray Paint Respirator 6502QL is our reusable half-mask respirator with twin inhalation valves, large filters, bayonet filter fixing system, and quick latch. ![]() Provides a snug fit to face any type and size. ![]() The 3M Half Facepiece Reusable Respirator offers versatility for many environments and applications providing protection against particulates and a wide variety of gases and vapors when used with approved cartridges and filters. ![]() This half facepiece reusable respirator offers reliable and convenient respiratory protection and is suitable for many situations, helping provide protection against particulates and a wide variety of gases and vapors according to NIOSH approvals. The most important part to understand is communcication. If you have questions about anything related to the DOM (more on that later), look them up with html in your query. If you have specific code questions, look them up with nodejs first, and if you’re out of luck, try again with just js. For example, the node_helper is a NodeJS package, but it is not used that often, whilst it is a standard practice in developing Magic Mirror modules. If you didn’t find an answer there, you can always try with nodejs. ![]() If you have a question about a specific function, put magic mirror in front of your Google query. That means that sometimes the syntax can be difficult, and you need to watch out what programming language you’re in when looking up answers. The first thing that you should know, is that the Magic Mirror modules are written in a custom wrapper of NodeJS, which in turn is a wrapper of JavaScript and can be a wrapper of HTML. How to search things on Google?ĭeveloping anything is all about being able to search for the right things on Google. You will probably get most of your information through these channels. Notice that they are all coming from the Magic Mirror forum or documents. This tutorial on how to make your own module should be seen as an extended summary of The Core module file, Head first developing MM module for extreme beginners, How to develop modules and Python and the Magic Mirror. To be honest, once you get the hang of it, it’s really not that difficult and you can do pretty much anything you want.Įnjoy the read: How to write your own module? I hope this post can help some people to get started with their own module. But I think that’s pretty much all you need to know to be able to understand the guide. Also, it’s quite important that you understand what ‘this’ and ‘self’ mean in programming, so if you don’t, be sure to look it up first. Maybe also important (as it is not mentioned in the document) is that our Mirror uses a page system, with different modules being shown on each page. Additionally, it requires the full strength of a Jetson Nano to run (at a mere 4FPS), so it would probably not be interesting for most. ![]() Unfortunately, I cannot share my module (called MMM-PaintMe), because of the adaptations that I did for our specific Mirror installation, hence rendering it useless for anyone else. As a way to say thank you, I wanted to share my ‘How to write your own module?’ for beginners, where I address the topics that were not very clear to me in the beginning. Thanks to the numerous forum posts and available modules, I was able to develop my module in just a couple of days. Hello everyone! For an internship, I had to develop a custom module for the Magic Mirror, whilst having no experience whatsoever with it, nor with NodeJS, JS or HTML for that matter. ![]() Showing multiple panels simultaneously in both landscape and portrait orientations while still seeing the simulation on a small screen is one of the biggest challenges of mobile development. We think we’re among the first to do this, but if you know of another or have done this with your game, please let us know! You can see what Universe Sandbox mobile might look like right now (including why we haven’t released it yet) by resizing the Universe Sandbox window on your computer to the size of your phone (since our user interface dynamically responds to your window size). While most other simulators and games have a different user interface for their mobile and desktop versions, we want ours to use the exact same interface for all platforms. Overhauling our simulation tools (like explode, laser, and planetscaping), to adapt to all screen sizesĭynamically resizing panels (this tool panel is cut off) and automatically moving the center of your view so you can always see what you’re looking at (moving the Sun hidden behind the tool panel to the empty space on the left) is just one example of the user interface work we still need to do.Switching between multiple panels, like an object’s properties, data views, and guide instructions, on small screens in landscape and portrait modes.How to automatically arrange panels and adjust your view so you can focus on controlling the simulation, not having to manage the user interface.While these are seemingly simple goals, they create complex design challenges: This shared codebase means you can enjoy any new features and improvements we add to Universe Sandbox on any device, whether you’re on a desktop, laptop, VR headset, phone, or tablet. In fact, Universe Sandbox mobile is built from the exact same code as the version you already know and love, so it will have the same features and user interface as the desktop experience. We’ve been thinking about Universe Sandbox mobile for a long time and have been developing our panels and buttons to be easy to view and use on small screens for years. Making our user interface work in portrait mode is an added challenge when adapting it for small screens. US 2 is not and that should be considered before buying.Collisions and surface simulation already run smoothly in Universe Sandbox on mobile devices.īringing the complete Universe Sandbox experience to mobile is an exciting and challenging project, and while development was stalled while hiring a new user interface engineer, we are back on track! While we still don’t have a release date for Universe Sandbox on mobile, we want to share our recent progress and current obstacles.įor an overview of our plans for Universe Sandbox on mobile devices, you can read our first Mobile DevLog. That's probably the biggest difference of all though, US 1 is a finished game and works like one. The advantages the first one has over the second is probably better PC performance and signficantly cheaper.īut you know, like i said it is much more impressive visually and it's in alpha so you can kinda excuse the performance issues for now I honestly can't remember much of the first one now i've played the second one. In general though the second one can do everything the first one can plus more and visually/graphically it's about 30X more impressive. Rather then give you the tools of a god like the paid version does. But i think it just allows you to view the simulations and change your perspectives. That demo version doesn't seem to be available on the official site anymore but there is a demo (free version) of the second one there. ![]() ![]() I didn't own the first one and only played a demo version of it. ![]() The tone pot is different 250k part BA811-1831 and is dated week 2* of 1964 (the second digit is covered by solder). the volume pot is made by CTS part number BA811-1053, dated week 20 of 1964 (May 1964). The picture on the right shows the simple circuitry of this bass: just two potentiometers, one controlling volume, the other tone. The machine heads are Kluson 538s - very widely used on Gibson (and many other brands) basses at this time. The hand rest shown here is nickel-plated, although this part is so often removed and replaced it is hard to say for sure when the change from nickel to chrome occurred. The most notable change from earlier versions being the pickup - although basically the same coil ( EB neck humbucker), the previously bakelite cover had been upgraded to metal nickel from late-63 into 1964 and chrome plated from then on. The nickel bar bridge has no string mute - these were fitted as standard to the EB3 and later to the EB0, but at this stage they were not fitted as stock. ![]() Like all '60s EB basses, the 30 1/2" scale calls for short scale strings - and although string choice is a matter of taste, these basses sound incredible with a set of flats. The neck is still wide (width at nut 43mm) like earlier EB basses, but maybe 10% shallower than the very earliest (like this 1962 example). The headstock angle seems to be 17° this was reduced to 14° sometime before 1966. ![]() The crown inlay on the headstock is centered older EBs had this positioned a little higher - see this 1962 EB0 for comparison. Starting at the headstock: inlaid Gibson logo, with open o, b and dotted i. This bass has all the typical features of a mid-late '64 EB0, although is not quite the same as any shown in any Gibson catalog the 1964 catalogue still shows the image from the previous (1962) catalogue, whilst the 1966 shows a bass with a newer bridge version with mute and Japanese-made closed-gear tuning keys. Many of these early EBs, like the one shown here, have paler, almost orange areas, particularly where handled most, primarily the far end of the neck. ![]() But early to mid sixties instruments changed colour somewhat differently, reacting to sweat or grease on the users hands. The translucent Cherry finish of Gibson EB basses (and SG guitars in general) has a tendency to fade over time, typically to a brownish colour, and most-likely as a reaction to sunlight in fact it can be hard to tell whether certain late sixties EB basses were originally Cherry or Walnut. The US zone 1 list price in 1964 was $240, and it would stick at this level right into 1968. Gibson actually shipped 1133 EBO basses in 1964 - the highest number of any bass model they had produced up until that point - although this record was quickly trumped the next year, with a peak annual figure of 3018 EB0 basses shipped in 1969. However, they did have the records for this bass, and kindly confirmed it was shipped from Gibson's Kalamazoo plant on August 27th 1964. Gibson did keep records of guitar serial numbers, and dates that they were shipped, however much of this information has been lost/destroyed, and Gibson customer service don't always have time to search for details. Both the serial number and potentiometer codes confirm this instrument to have been produced in 1964. The serial numbers up until about 1965 give a fairly reliable indication (although on instruments produced between 1965 until 1975 they can be very confusing), and combined with potentiometer codes and a look at the hardware used it's not hard to pin down most basses of this era to a single year. There are several ways of finding out when a Gibson bass was made. This 1964 bass has typical features of the period, most notably the nickel-plated pickup cover it had been bakelite on '61-'63 EB basses, with nickel starting to be replaced with chrome by the end of the year. The Gibson EBO was available from 1958, but only with an SG-style body from 1961. 1981 Victory Standard (Candy Apple Red).
![]() The TO model comprises five interlocking components: affirmation of the value of life, courage to face adversity, self-transcendence in serving a higher purpose, faith or trust in God and others, and acceptance of what cannot be changed (Leung, Steinfort, Vroon, & Wong, 2002 Wong, 2001). In line with Frankl, Wong (2001) developed a model of tragic optimism (TO), which embraces the negative aspects of life and, at the same time, emphasizes the positives. In Man’s Search for Meaning, Frankl (1985) stated that if one believes life is meaningful regardless of circumstance and people are capable of transforming life’s negatives into positives, then it is possible “to say yes to life amidst the most miserable circumstance inherent to the human existence” (pp. He would go on to build a new life and new goals, raising money for spinal cord research. However, with his wife’s encouragement, he accepted his new limitations and moved forward: “You just play the hand you’re dealt… I think the game is worthwhile” (Bishop, 2012). Reeve could have refused to accept his new reality and chosen suicide. ![]() Early on, he lamented the life he had lost and his new existence as a burden on his family. After his horse stopped suddenly in front of an obstacle, Reeve was catapulted head first to the ground, damaging his spinal cord and becoming quadriplegic. ![]() The actor and activist Christopher Reeve provides an example. Those who deny their new reality are more prone to develop posttraumatic stress, depression, and anxiety. However, when a traumatic experience challenges these assumptions, the individual is confronted with a decision: (1) Uphold the previous beliefs and deny the reality, or (2) accept the new assumptions that the world is not benevolent, the world is not meaningful, and/or the self is not worthy. Based on these beliefs, most people tend to approach the world with optimism, trusting in their own worthiness, safety, and security. According to Janoff-Bulman, three assumptions are prominent: The world is benevolent, the world is meaningful, and the self is worthy. All human beings have certain assumptions about life that are not usually examined consciously. Janoff-Bulman (1992) refers to disruptions of these fundamental beliefs as shattered assumptions. For others, however, the sudden impact of an unexpected tragedy may ambush life-long beliefs that they’ve relied on for a predictable world. For those of us who are more fortunate, our presumptions and perceptions about ourselves and the world may go unchallenged for years, as life falls more or less within our expectations. Yet most of us assume that whatever we encounter tomorrow will more or less be consistent with what we’ve encountered before in our routine daily experiences.
![]() This year’s activities will also include a service project, although details are still being finalized, Webb said. Children will have the chance to make a birdfeeder and engage in other crafts, and other library events will be scheduled throughout the week. Vendors will include First Landing State Park and Back Bay National Wildlife Refuge.Įvents will include hands-on activities that offer participants a chance to learn more about wildlife photography or birdwatching. Workshops, activities and exhibits for children, teens and adults are also scheduled throughout the day in the Princess Anne Area Library and the Princess Anne Recreation Center on Saturday, Jan. Illustrations and pages from books, including Winter Dance by Marion Dane Bauer and Birds by Carme Lemniscates, will be placed at various points along the trail. Story walks, scheduled at various locations throughout the week, invite children to get outside, observe nature and read. Competitors can submit photos of wildlife, landscapes or other nature-based subjects in Hampton Roads and the Eastern Shore.Īrea birders can also form teams to compete in challenges that require observation of as many birds as possible within a specified period. The festival features boating trips and other excursions, including a nighttime tram tour and hike of False State Park, as well as a whale-watching boat tour, birding boat trips and walks and an excursion into the Dismal Swamp. They have backgrounds in literature as well as in ornithology, and they are interested in topics that explore the intersection of nature, people and aesthetics. This year’s keynote address differs slightly from previous years because it includes two speakers, Webb said. They speak at Virginia Wesleyan University’s Goode Center from 2:30 p.m. Reaser, editors of the anthology Dawn Songs: A Birdwatchers’ Field Guide to the Poetics of Migration. This year’s keynote speakers are literary naturalists J. It includes more than 50 programs and events, including boating trips, speakers and a photo contest, the latter of which has a special category for young people, according to Katie Webb, festival coordinator for the Virginia Beach Department of Parks and Recreation. The festival is expanding from a weekend to a week-long event. VIRGINIA BEACH - This year’s Winter Wildlife Festival offers a chance to connect with nature through excursions, workshops and children’s activities. A great blue heron perches on a railing along a trail at Back Bay National Wildlife Refuge in Virginia Beach in April 2020. |
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